http://www.okeania.net/index.htm linkinden "to kill the child" ve "leaving beirut" adlı iki yeni roger waters şarkısını indirebilirsiniz. ayrıca Pink Floyd 'un 1 Mayıs 1977 tarihinde , fort worth, texas'ta verdiği konserden
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#1
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roger waters'dan iki yeni şarkı
http://www.okeania.net/index.htm
linkinden "to kill the child" ve "leaving beirut" adlı iki yeni roger waters şarkısını indirebilirsiniz. ayrıca Pink Floyd'un 1 Mayıs 1977 tarihinde , fort worth, texas'ta verdiği konserden bir bootleg; "sheep". (çok sevdim ben bunu ya) Kocaman düşler kurup, küçücük şeyleri özlüyor insan... |
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#2
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Roger blues'a ne kadar hayran olduğunu bu şarkılarla pekiştirmiş.
Dark side of the moon dvd sini seyrederken dikkat etmiştim Money normalde Roger Walters'ın Chicago Blues tarzında yaptığı bir şarkıymış. Daha sonra konsepte uysun diye farklı şekilde yapmışlar şarkıyı. Bunu anlatırken Blues'a ne kadar hayran olduğunu anlatıyordu. To Kill The Child bence çok başarılı bir şarkı. Takdirle karşıladım açıkçası. Oburku su anda download oluyor bittikten sonra yazarım onun hakkındaki yorumumuda
People fear death even more than pain. It's strange that they fear death. Life hurts a lot more than death. At the point of death, the pain is over. Yeah, I guess it is a friend. |
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#3
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Bayağı bir araştırma yaptım özellikle Leaving Beirut'u dinlerken. Hem müziği hem de Roger Walters'ın sesi ile inanılmaz etkileyici bir şarkı. Saatlerce rahatsız olmadan dinleyebilirsiniz. Insanın içine seslenen ve hüzünlendiren bir şarkı.
Bu iki şarkıyı Amerika'nın işgaline tepki olarak yapmış. Şarkıları yaparken kendisine eşlik edenler : Roger Waters -Vocals, Guitar, Bass & Keyboards Graham Broad -Drums Andy Fairweather Low -Guitar Katie Kissoon -Vocals Carol Kenyon -Vocals PP Arnold -Vocals Alıntı: According to Waters, he began work on his new songs "�immediately after the invasion of Iraq, which is now fifteen months ago. It seems apposite to throw them out there on the Net, before the election. Historically, there have always been people within the artistic community who have spoken out about things they believe in and they should continue to do so. I shall certainly continue to do so, whether it has any effect or not, because I feel I have a responsibility to myself to do that." to kill the child The child lay In the starlit night Safe in the glow of his Donald Duck light How strange to choose to take a life How strange to choose to kill a child Hoover, Blaupunkt, Nissan Jeep Nike, Addidas, Lacoste and cheaper brands Cadillac, Amtrak, gasoline, diesel Our standard of living, could this be a reason That we would choose to kill the child That we would choose to kill the child __________ Allah, Jehovah, Buddah, Christ Confucius and Kali and reds, beans and rice Goujons of sole, ris de veau, ham hocks Lox bagels and bones and commandments in stone The Bible, Koran, Shinto, Islam Prosciutto, risotto, falafel and ham Is it dogma, doughnuts, ridicule faith Fear of the dark, or shame or disgrace That we would choose to kill the child That we would choose to kill the child __________ It's cold in the desert And the space is too big The rope is too short And the walls are too thick I will show you no weakness I will mock you in song Berate and deride you Belittle and chide you Beat you with sticks And bulldoze your home You can watch my triumphant procession to Rome Best seat in the house Up there on the cross Is it anger or envy, profit or loss That we would choose to kill the child That we would choose to kill the child __________ Take this child and hold him closely Keep him safe from the holy reign of terror Take this child hold him closely Take this child to the moral high ground Where he can look down on the bigots and bully boys Slugging it out in the yard Lyrics by Roger Waters leaving beirut So we left Beirut Willa and I He headed East to Baghdad and the rest of it I set out North I walked the five or six miles to the last of the street lamps And hunkered in the curb side dusk Holding out my thumb In no great hope at the ramshackle procession of home bound traffic Success! An ancient Mercedes 'dolmus ' The ubiquitous, Arab, shared taxi drew up I turned out my pockets and shrugged at the driver " J'ai pas de l'argent " " Venez! " A soft voice from the back seat The driver lent wearily across and pushed open the back door I stooped to look inside at the two men there One besuited, bespectacled, moustached, irritated, distant, late The other, the one who had spoken, Frail, fifty five-ish, bald, sallow, in a short sleeved pale blue cotton shirt With one biro in the breast pocket A clerk maybe, slightly sunken in the seat "Venez!" He said again, and smiled "Mais j'ai pas de l'argent" "Oui, Oui, d'accord, Venez!" ______________________ Are these the people that we should bomb Are we so sure they mean us harm Is this our pleasure, punishment or crime Is this a mountain that we really want to climb The road is hard, hard and long Put down that two by four This man would never turn you from his door Oh George! Oh George! That Texas education must have fucked you up when you were very small ______________________ He beckoned with a small arthritic motion of his hand Fingers together like a child waving goodbye The driver put my old Hofner guitar in the boot with my rucksack And off we went " Vous etes Francais, monsieur? " " Non, Anglais " " Ah! Anglais " " Est-ce que vous parlais Anglais, Monsieur? " "Non, je regrette" And so on In small talk between strangers, his French alien but correct Mine halting but eager to please A lift, after all, is a lift Late moustache left us brusquely And some miles later the dolmus slowed at a crossroads lit by a single lightbulb Swung through a U-turn and stopped in a cloud of dust I opened the door and got out But my benefactor made no move to follow The driver dumped my guitar and rucksack at my feet And waving away my thanks returned to the boot Only to reappear with a pair of alloy crutches Which he leaned against the rear wing of the Mercedes. He reached into the car and lifted my companion out Only one leg, the second trouser leg neatly pinned beneath a vacant hip " Monsieur, si vous voulez, ca sera un honneur pour nous Si vous venez avec moi a la maison pour manger avec ma femme " ______________________ When I was 17 my mother, bless her heart, fulfilled my summer dream She handed me the keys to the car We motored down to Paris, fuelled with Dexedrine and booze Got bust in Antibes by the cops And fleeced in Naples by the wops But everyone was kind to us, we were the English dudes Our dads had helped them win the war When we all knew what we were fighting for But now an Englishman abroad is just a US stooge The bulldog is a poodle snapping round the scoundrel's last refuge ______________________ "Ma femme", thank God! Monopod but not queer The taxi drove off leaving us in the dim light of the swinging bulb No building in sight What the hell "Merci monsieur" "Bon, Venez!" His faced creased in pleasure, he set off in front of me Swinging his leg between the crutches with agonising care Up the dusty side road into the darkness After half an hour we'd gone maybe half a mile When on the right I made out the low profile of a building He called out in Arabic to announce our arrival And after some scuffling inside a lamp was lit And the changing angle of light in the wide crack under the door Signalled the approach of someone within The door creaked open and there, holding a biblical looking oil lamp Stood a squat, moustached woman, stooped smiling up at us She stood aside to let us in and as she turned I saw the reason for her stoop She carried on her back a shocking hump I nodded and smiled back at her in greeting, fighting for control The gentleness between the one-legged man and his monstrous wife Almost too much for me ______________________ Is gentleness too much for us Should gentleness be filed along with empathy We feel for someone else's child Every time a smart bomb does its sums and gets it wrong Someone else's child dies and equities in defence rise America, America, please hear us when we call You got hip-hop, be-bop, hustle and bustle You got Atticus Finch You got Jane Russell You got freedom of speech You got great beaches, wildernesses and malls Don't let the might, the Christian right, fuck it all up For you and the rest of the world ______________________ They talked excitedly She went to take his crutches in routine of care He chiding, gestured We have a guest She embarrassed by her faux pas Took my things and laid them gently in the corner "Du the?" We sat on meagre cushions in one corner of the single room The floor was earth packed hard and by one wall a raised platform Some six foot by four covered by a simple sheet, the bed The hunchback busied herself with small copper pots over an open hearth And brought us tea, hot and sweet And so to dinner Flat, unleavened bread, + thin Cooked in an iron skillet over the open hearth Then folded and dipped into the soft insides of female sea urchins My hostess did not eat, I ate her dinner She would hear of nothing else, I was their guest And then she retired behind a curtain And left the men to sit drinking thimbles full of Arak Carefully poured from a small bottle with a faded label Soon she reappeared, radiant Carrying in her arms their pride and joy, their child. I'd never seen a squint like that So severe that as one eye looked out the other disappeared behind its nose ______________________ Not in my name, Tony, you great war leader you Terror is still terror, whosoever gets to frame the rules History's not written by the vanquished or the damned Now we are Genghis Khan, Lucretia Borghia, Son of Sam In 1961 they took this child into their home I wonder what became of them In the cauldron that was Lebanon If I could find them now, could I make amends? How does the story end? ______________________ And so to bed, me that is, not them Of course they slept on the floor behind a curtain Whilst I lay awake all night on their earthen bed Then came the dawn and then their quiet stirrings Careful not to wake the guest I yawned in great pretence And took the proffered bowl of water heated up and washed And sipped my coffee in its tiny cup And then with much "merci-ing" and bowing and shaking of hands We left the woman to her chores And we men made our way back to the crossroads The painful slowness of our progress accentuated by the brilliant morning light The dolmus duly reappeared My host gave me one crutch and leaning on the other Shook my hand and smiled "Merci, monsieur," I said " De rien " " And merci a votre femme, elle est tres gentille " Giving up his other crutch He allowed himself to be folded into the back seat again "Bon voyage, monsieur," he said And half bowed as the taxi headed south towards the city I turned North, my guitar over my shoulder And the first hot gust of wind Quickly dried the salt tears from my young cheeks. Lyrics by Roger Waters http://www.roger-waters.com/ adresinden detaylı bilgi alabilirsiniz. People fear death even more than pain. It's strange that they fear death. Life hurts a lot more than death. At the point of death, the pain is over. Yeah, I guess it is a friend. Son düzenleyen Lizard King : 14-01-2005 - 18:59 |
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#4
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Leaving Beirut daha Pink Floyd tarzı olmuş ama sanki böyle barış içerikli bir şarkı yapmayalım son olarak diye düşünülmüş gibi geldi . Öyle düşünülmüş olsa bile güzel tabi ki.
Oh , Yeah ? |
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| roger, watersdan |
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| Görünüş Şekli | Başlığa Puan Ver |
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